And I use translucency to animate the prints further, as they alter their appearance in response to changes in the light. When appropriate, I like to let the prints hang freely, unmounted and unframed, so they can respond reflexively to movements in the air. As well printing on art paper, I print onto aluminium, acetate and fabric, especially linen and cotton. Inevitably, this leads me to explore both materials and the immaterial, scale and the use of space. As an artist, I work invariably with a high definition camera, but my intention is to reach beyond the image - towards the making of an effective and affective object, perhaps even an experience. I attempt to balance both roles: seeking the concentration and focus of making images, objects and installations that are directed at the individual viewer embracing the collaborative and enabling task of shaping exhibitions and events that are created in the company of others.
I work as an artist curator, minus the hyphen.
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